The artwork of Swiss artist Zimoun is sculpture, music, composition, soundscape, and installation; it is minimalist, conceptual, expressive, technical, natural, open, rigid, and chaotic. The essays in this book each take different approaches to the question of how to frame, contextualize, and discuss Zimoun’s artwork, beginning with art historical framing, proceeding through music and soundscape, and finally concluding with an interview with the artist himself. There, Zimoun offers: “I like to think of my works as audible buildings that can be entered and explored as much with your ears as with your eyes.”
